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ST MARY-LE-TOWER - The busiest promoter of
classical music in Ipswich
37th Annual
Series
Tuesday Lunchtimes 1.10pm to 1.50pm
Admission
Free
Publicity sponsored by Birketts
Solicitors

For
future local and national concerts, see
www.organrecitals.com
Click here to view this years concert series
THE ORGAN IN ST
MARY-LE-TOWER
The main instrument featured in concerts at St Mary-le-Tower, the
organ, was originally built by Henry Willis in 1864. It has been
overhauled, extended and modified by various builders since then but
this year's concerts will be the first to take place since the
completion of the important work carried out by Richard Bower, of Weston
Longville, Norwich. This has included extensive cleaning and repairing,
some re-voicing, particularly of mutation stops, and great improvements
in the comfort of the player, with an increased number of combination
pistons and new bench and pedal-board. The blower and humidifier have
also received attention by the firm of Watkins and Watson.
To celebrate the
successful conclusion of this project, the concert series begins with a
performance of one of the major organ compositions of the twentieth
century, Messiaen's cycle of nine movements meditating on 'La Nativite
du Seigneur', the birth of our Lord. It will be played by James Thomas,
Organist and Director of Music of St Edmundsbury Cathedral.
The series
continues with a strong emphasis on the organ and brings to Ipswich some
of the most brilliant young players of our day as well as
familiar friends. In line with our usual practice, there are also some
exciting contrasts, with seven concerts being either choral or of
chamber music.
VAUGHAN
WILLIAMS, MESSIAEN AND THE TWENTIETH CENTURY
This year's theme for the concert series was immediately suggested by
the juxtaposition of two important anniversaries, the fiftieth year
since the death of the great English composer Ralph Vaughan Williams and
the centenary of the birth of Olivier Messiaen. For many people,
Messiaen is the most significant composer for the organ since J S Bach,
but, as even this series partly shows, his profound originality is to be
heard in many other genres, in for example the 'Quartet for the End of
Time', composed in 1941 while he was a prisoner-of-war (to be performed
here on June 24). Vaughan Williams, in contrast, wrote little for the
organ though he was himself a competent player. As the next distinctive
voice in English music after Elgar, however, he touched the hearts of
thousands of people in masterpieces such as the Tallis Fantasia, Job: a
Masque for Dancing, the Mass in G minor and 'The Lark Ascending', the
last two of which are included in these programmes (June 10 and
September 2 respectively). The music of these two giants of the
twentieth century, so widely different both in their philosophical
outlooks and their musical styles, has been set in a context provided by
their fellow composers of the period, mainly English and French. The
result is a fascinating cocktail, strongly laced with an enormous
variety of other music from the sixteenth century to the present day. As
always, each concert is presented as enjoyable and entertaining in
itself. Please do come and enjoy the experience.
May 6 - James
Thomas Director of Music, St Edmundsbury Cathedral
La Nativite du Seigneur Messiaen
May 13 - Octave
Vocal Ensemble
Salve Regina Poulenc, O sacrum convivium Messiaen, 'Come away, Death'
and 'Silence and Music' Vaughan Williams, and works by Gibbons, Morley,
Lauridsen, Murrill and Mantyjarvi
May 20 - John Keys Director of Music St Mary's Nottingham
May 27 - Alan
Loader baritone Christian White piano
Songs of Travel Vaughan Williams, et al
June 3 - Colin
Walsh Organist Laureate, Lincoln Cathedral
Te Deum Langlais, Offrande au Saint Sacrement Messiaen, Fugue sur le
Carillon de Soissons Durufle, and works by Widor and Litaize
June 10 - Tower
Chamber Choir conductor Michael Nicholas
Three Latin Motets Op 38 Stanford, Mass in G minor Vaughan Williams
June 17 - Hans
Hielscher Wiesbaden, Germany
Suite du premier ton Bedard, Variations on an Old Dutch Hymn Cor Kee,
Three American Folksongs arr Hielscher, Suite for Organ Pasini
June 24 - Cliff
Whybrow clarinet, Caroline Ball violin, Harriet Bennett cello, Jonathan
Rutherford piano
Quatuor pour le fin de temps Messiaen, et al.
July 1 - Daniel Hyde Director of Music, Jesus College, Cambridge
L'Ascension Messiaen, et al.
July 8 - William Saunders Assistant Director of Music, St Mary-le-Tower
Symphonie VI Widor
July 15 - Nigel Kerry Director of Music, Church of Our Lady and the
English Martyrs, Cambridge
July 22 - Stephen Farr Director of Music, St Paul's Church,
Knightsbridge
Praeludium in E minor Buxtehude, Chorale Prelude on 'Schmucke dich' BWV
654 J S Bach, Le Banquet Celeste Messiaen, and works by Sanger, Alain
and Durufle
July 29 - Christopher Moore London
Prelude and Fugue in C minor Vaughan Williams, et al.
August 5 -
Anthony Gowing Assistant Organist, Sheffield Cathedral
Les Corps Glorieux Messiaen
August 12 - Andrew Kirk Director of Music, St Mary's Church, Redcliffe,
Bristol
August 19 - Michael Nicholas Director of Music, St Mary-le-Tower
Fugue, Chorale and Epilogue Howells, Prelude and Fugue in A minor BWV
543 J S Bach, Prelude, Scherzo and Passacaglia Leighton
August 26 - Benjamin Nicholas Director, Tewkesbury Abbey Schola Cantorum
Prelude and Fugue in X BWV xxx J S Bach, 'Puer natus et nobis' and 'Priere
apres la communion' from Livre de Saint Sacrement Messiaen, and works by
Saint-Saens and Maxwell Davies
September 2 - Helen Ellison violin, David Ruddock piano
The Lark Ascending Vaughan Williams, Penillion Howard Blake
September 9 - William Fergusson, piano
September 16 - Joseph Sentance Director of Music, St Stephen's Church,
Walbrook, London
September 23 - Richard Brasier, London
Communion et Sortie from Messe de la Pentecote Messiaen, and works by
Bach and Franck
September 30 - Ben Giddens Organ Scholar, Norwich Cathedral
Paean
Leighton, Prelude and Fugue in G BWV 550 J S Bach, and works by Alain,
Mathias and Reger
October
7 - Rosemary Hawkins piano
Works by Chopin, Debussy and Messiaen
October 14 - Woodbridge School Chamber Choir Conductor Elspeth Davidson
Movements from Five Mystical Songs Vaughan Williams, et al.
October 21 - James Parsons Director, Oundle Festival
Three
Hymn-Tune Preludes Vaughan Williams, et al. |